Powered By Blogger

Wednesday, 26 October 2022

Schools Football POWER

CAF African Schools Football Championship: COSAFA Qualifier heading for finishing line

Photo By Rab Sports News
Photo By Rab Sports News

Nutritional requirements for a balanced diet for adolescent athletes to crown the day

 

The CAF African Schools Football Championship | COSAFA Qualifier has been tipped to light up Lilongwe, Malawi this week as the best young talent from the region gathers to earn a place in the continental finals.

The competing teams have already been through a qualifying process in their own countries, and now meet in the hope of being crowned regional winners in the boys’ and girls’ competitions.

But before the games get under way on Saturday, according to organizers, there will be many off-pitch activities to both set the scene in Lilongwe, and also provide potentially life-changing skills that could steer those who take part on a new path.  

Earlier in October, CAF African Schools Football Championship, UNAF zonal phase took place in Cairo, Egypt.

CAF also organized separate workshops for the coaches, young reporters, young referees and a medical workshop themed, “Nutritional requirements for a balanced diet for adolescent athletes to crown the day.”

The workshops were conducted and instructed by experts in the various the field.

Director and coach of INF Clairefontaine, Jean Claude Lafargue and Loduvic Debru from the French Football Federation were the conductors for the coaches’ workshops. FIFA and CAF Media Officer, Mondher Chaouachi handled the young reporters’ workshop while Hamdy Fathy and Pussy Said were the conductors for the young referees’ workshop with Dr. Saida Ayachi conducting the medical workshop.

Moreover, about 25 girls and boys took part in safeguarding workshop on Friday, and young reporters and referees workshops on Saturday.

The workshops aimed to empower and encourage young participants to stay in the game and the social impact of football in the communities and countries where the schools are – using the game to change the face of Africa.

One of CAF’s major objectives is to use this competition to develop and grow youth and schools football on the African Continent.

The CAF African Schools Football Programme is a partnership involving CAF, African Governments, and Football Associations from 41 participating countries. The Programme also involves the provision of education, coaching, football and skills development courses.

Capacity Building

The Programme focuses on capacity building in areas of governance, coaching, education and media for the participating countries.

The participating schools will also benefit from the capacity-building and training program. Teachers will be selected to enroll in CAF coaching programmes.

Leadership Development

Children from each participating school will deputize their teachers in administrative roles within the team set-up to learn first-hand the qualities required to lead a winning team.

Young Reporter Programme

Children will be selected to learn media-related skills like journalism and tv/radio commentary.

Young Referee Programme

Children will be trained on how to interpret the Laws of Football and they will be given opportunities to officiate matches during the championship.

Safeguarding

The programme ensures that children and practitioners are aware of the safeguarding measures that CAF put in place to create a safe environment for the children.

KWAITO POWER

https://ukjef6.p3cdn1.secureserver.net/wp-content/uploads/2021/12/1530806402971-DSC05699.jpeg

Kwaito Never Dies: South Africa’s New Generation Clocks 30!

By Thandisizwe Mgudlwa

When you wake up to South Africa’s biggest morning radio show,  The Take Off with Bongani Mtolo and Nonala Tose – Lonwabo Nkohla on Sports on Radio 2000; you can easily believe that you are back to the 1990s, as the show delivers the best that the Kwaito genre emerges from.

With many listeners chanting “Kwaito Never Die”, then you know that Kwaito is here to stay and grow.

And on the 30th anniversary of the new generational South African music genre, KWAITO, it’s fitting to celebrate this sensational musical artistry.

Kwaito, which emerged in 1991during the transition from apartheid towards the democratic dipensation, is classified as a weapon to deal with the oppression of black people and the context of colonialism in which they still find themselves in.

Sung mostly in several of South Africa’s indigenous languages, which are Ndebele, Northern Sotho, Sotho, Swazi, Tsonga, Tswana, Venda, Xhosa and Zulu; and including Afrikaans and English, makes Kwaito even more appealing to a wider audience.

When this musical genre emerged in the 1990s, it introduced a mixture of a number of different rhythms from Marabi of the 1920s, Kwela of the 1950s, Mbaqanga/Maskhandi of the hostel dwellers, Bubblegum music of the 1980s, and Imibongo (African praise poetry).

And at times the use of styles drawn from the African diaspora’s hip hop, dub, jazz and UK house is clearly evident.

Rangoato Hlasane explains that due to innovative musicians and producers who cut their teeth during the ‘bubblegum’ era were exposed to new international sounds such as house and hip-hop.

These fresh influences, coupled with their mastery of electronic music production and the rapidly changing political climate, provided a fertile ground for new expression, culminating in the Kwaito sound that provided the soundtrack to the 1990s, says Hlasane.

M’du Masilela, a pioneering Kwaito star says when house music got popular, people from the ghetto called it Kwaito after the Afrikaans slang word kwai, meaning those house tracks were hot, that they were kicking.

And the much loved SeaBee hits of the early 1990s like Homeboy, Thiba and I Wonder Why certainly cemented the foundation and paved the way for the Kwaito revolution to triumph.

Popular view about Kwaito attests that in a country where nearly half the population is under 21, youth culture exerts a major influence on social life. South Africa has a population of around 60 million now; about 75% are black. Many live in the ghettos. It’s these youths, especially who lay claim to Kwaito. Their stories sparked it, and the post-apartheid economy gave them the chance to produce and sell it.

Kwaito cries out to impoverished youths in the ghetto and has given young black artists a chance to shine.

It has also been stressed that songs such as Arthur Mafokate’s ‘Kaffir’ addresses the prevalence of direct racism and Zola’s song Mblwembe (problem child) reflects the prevalence of crime in the townships that serve as a means of social dialogue.

At least two artists claim to be the originators of Kwaito. Kyle Naidoo, who claims he was the first to mix bubble gum with House from the UK and the US back in the 1980s.

And Mafokate, who is also credited by many as the king of Kwaito, including himself as he wrote in a two-page piece called “Am I the king of Kwaito?”

In one of the first official Kwaito songs played in Mzansi, by Mafokate, with the usage of one of the most degrading words that white colonialists would call black Africans, is the Arabic word for ‘non-believer’ or a ‘heathen’, ‘Kaffir’, which is the word that Afrikaans described the natives with. In his song, Mafokate demands the Boss, ‘Nee baas’, ‘No Boss’, Don’t Call Me Kaffir’.

The song, written in several forms, talked about how apartheid will not just go away overnight but change is coming.

Hlasane reveals that as a rival for Arthur’s title, Mdu Masilela ultimately settled for ‘Godfather of Kwaito’. Mdu learned his skills in the 80s with the likes of Chicco Twala, Yvonne Chaka Chaka and Pat Shange. In 1989 he collaborated with Mandla Mofokeng to form MM Deluxe, releasing Where Were You? (1989). Mdu teamed up with Sbu (of ‘AmaLawyer’ and ‘Monate Fela’ fame), Pro and Magesh (of TKZee) to form Mashamplani, known for hits such as ‘Vokol as Niks’ and ‘Hey Kop’ in 1995. After royalty disagreements, the group disbanded and Mdu formed Mashamplani 2, one of the first groups on his Mdu Records. Other members of the stable included the big-selling Ma-Willies. Mdu’s biggest hits include ‘Tsiki Tsiki’ end of 1993 to (1994), ‘YU4Me’ (1995), ‘Ipompe’ (1996), ‘Mazola’ (1997) and ‘AmaBankbook’ (1997).

An article posted on CNN described Kwaito as a whole subculture with a swirl of irresistible dance beats.

A Newsweek report says Kwaito is South Africa’s answer to hip hop music, and is different for it incorporates a slowed down house beat with jazz, blues, R&B and reggae.

The title of a report on CNN.com, “Kwaito: South Africa’s hip-hop?”, calls a relationship between the two genres into question, and only likens them because both music styles have their own subcultures.

Brenda Fassie, long time South African pop superstar, quickly adopted a Kwaito style as it grew to popularity in the 1990s.

According to TIME, she was known both for her diva attitude and scandals involving sex and drugs, but also for lyrics that dealt with complex issues of African culture and life.

While a CNN article considered Boom Shaka and TKZee the most influential Kwaito groups in South African music.

Boom Shaka’s music is known to be not only popular in South Africa but all around Africa.

According to FHM magazine, Lebo Mathosa performed alongside superstar performers Will Smith and Missy Elliott and has also recorded a duet with R&B star Keith Sweat, this also helped in globalizing Kwaito.

Notably, in 1994 Bob Mabena, a popular TV personality and Radio DJ, released a classical album with South African soccer legend, Doctor Khumalo, called ‘East Meets West’ also featuring Wendy Mseleku. The album became a big hit in South Africa.

Common analyses show that there are many who assert Kwaito’s apolitical character. It is very important to note that a refusal to deal with the contemporary realm of politics is an extremely political statement that denounces the political status quo.

In the words of Rastafari teacher Leachim Tufani Semaj, “Whether you deal with politics or not, politics will deal with you. The statement that one does not deal in politics is in effect a political statement.”

Gavin Steingo gave an example in his article “South African music after Apartheid: Kwaito, the ‘party politic,’ and the appropriation of gold as a sign of success” by saying that there was not a political view in the first song of Mandoza’s album because Godoba kept repeating “Cyborg/Move Your Skeleton” throughout the whole song.

On the other hand, according to Simone Swink’s article “Kwaito: much more than music”, it is impossible to talk about Kwaito music without referencing the political history of South Africa.

Steingo further states, “Most Kwaito is overtly political, even if it seems like it is not”.

Steingo adds that it was more of anti-political situation for the artist than apolitical because the youth of South Africa desire to disengage from the long years of oppression and political protest of the apartheid era. “Therefore, Kwaito music represents the refusal of politics.”

It has also been noted that there are some Kwaito songs that reflect an artist’s political view because there are some artists like Zola, that rhyme, chant, or sing about explicitly political and ideological issues. However, there are cases when people say Kwaito refers only to the apolitical variety.

According to Hlasane the late 90s and early 2000s saw a string of solo efforts from members of key kwaito groups such as Kabelo (of TKZee, who released Everybody Watching and Rebel Without Cause), Mandoza (of Chiskop, who started with the banger 9II5 Zola South and later the massive hit ‘Nkalakatha’), Mathosa (of Boom Shaka, whose work earned her KORA and SAMA awards), Ishmael (of Skeem and Prophets of da City), as well as all members of Trompies, Abashante, Bongo Maffin and Mafikizolo.

Kwaito artist OscarwaRona recalls, “We used to do tracks where we would ask why is the divorce rate so high? Why are little children being found in shebeens drinking?”. The aftermath of a system of racial subjugation that was in place for centuries is equally demanding of attention as the atrocities that occurred during apartheid.

The Kwaito scene also produced many other talented and influential artists and remains popular today and noteworthy acts include Doc Shebeleza, Brown Dash, Mapaputsi, Mzekezeke, Mzambiya, Msawawa, Mshoza, Spikiri, Joe Nina, Skeem, Kaybee, Skizo, Sharon Dee, Chakaroski, Oda Meesta and Zola,  Master KG, Amapiano and many others.

Kwaito, as a weapon against the status quo, seeks to forge an identity for the youth and redirect the youth towards self-reliance and positive action.

With a well-coordinated strategic plan for Kwaito, the genre can become a game-changer in uplifting the youth of Mzansi, and potentially become a springboard for the next government and President of the country to come from the youth.

AFRICAN WEALTH

It's A War: UK group attacks African oil and gas

by Thandisizwe Mgudlwa
22 Jun 2022 at 13:24hrs | 3641 Views




CAPE TOWN, South Africa, June 22, 2022/ – UK-based events company, Hyve Group, has filed a lawsuit to blackout the African Energy Chamber (AEC).

According to AEC, the lawsuit is intended to silence both the AEC and Africa while preventing the development of the continent's oil and gas resources.

AEC also says Hyve Group is responsible for launching the Green Energy Africa Summit as well as Africa Oil Week's disastrous move to Dubai in 2021 citing Africa's inability to host a large-scale event.

While Africa is only responsible for less than 2% of global greenhouse gas emissions, the continent is still being asked to abandon its oil and gas in the name of climate change, thus, carrying the burdens of developed countries, ones which continue to develop oil and gas, declared the African Energy Chamber (AEC).

And after COP26 in Glasgow, the UK announced a major oil and gas bid licensing round; the US opened federal lands for drilling; England is looking at re-opening its coal mines for the first time in 30 years; Germany is building new LNG terminals; and Norway has given out 52 oil licenses.

With all this, the chamber believes that Africans should have the right to explore oil and gas is the same way these countries are doing.

According to AEC, despite the ongoing work by the chamber, going as far as launching the first-ever Africa-focused and Africa-held energy event in 2021, African Energy Week, AEC has started a campaign called 'Help us Fight Back Against the Attack on African Oil and Gas'.

Representing the voice of the African energy sector, AEC has become an invaluable advocate for Africa's oil and gas industry at a time when global stakeholders are calling for the immediate end to fossil fuel utilization.

Reaerch confirms that over 600 million without access to electricity and 900 million people without access to clean cooking solutions, the continent desperately needs its oil and gas reserves if it is to make energy poverty history by 2030.

In this regard, the AEC has remained focused and committed, calling for a well-planned, strategic approach to Africa's energy transition, one which considers the needs of Africans today, tomorrow and for future generations.

The AEC consistently and continuously asks the big questions, such as how Africa's energy transition will be funded; why western nations continue to develop their hydrocarbons while asking Africa to transition to renewables; and what steps need to be taken to alleviate energy poverty once and for all?

And in asking these questions and driving a real discussion about African energy, the AEC says it continues to be a voice for hundreds of millions of people across the continent who do not have access to electricity – Africans who will greatly benefit from oil and gas.

"When they lose, they get desperate, and this is what this lawsuit is: a desperate attempt to silence Africa. They are employing their bullying tactics, threatening the AEC, an organization which has only ever been committed to Africa's development. Their misrepresentations have cost us a lot of money and yet we continue to push for the continent we love and the continent we are committed to. We will fight back like never before. We will not give in to intimidation and the ruthless attempts to keep us quiet," states NJ Ayuk, Executive Chairman of the AEC, adding that, "The stakes are too high for Africans for us to let some ‘woke' British company tell us to go green. They do not represent Africa and any attempt to silence Africa by this UK based company must be put to a stop."

AEC adds: They have lost key sponsors, speakers, partners and 70% plus of African ministers and national oil company leaders, all of which have chosen to join the chamber and support AEW.

"African business, the oil industry and everyday people are with us because they know the work the chamber does and its commitment to driving development in Africa. We have and continue to finance a lot or programs across Africa and pay taxes. Now that they are losing money by trying to tell Africa what to do and where to discuss African matters, they are coming after us. If we have to oppose the Dubai move again, we will. If they go to Dubai again, we will oppose them. As Dr Martin Luther King Jr puts it "It is part of the earth man walks on. It is not man. We must use time creatively, in the knowledge that the time is always ripe to do right".

The AEC proudly supports the East African Crude Oil Pipeline, Mozambique's right to develop its gas resources, Senegal and Mauritania's Greater Tortue Ahmeyim LNG project as well as gas monetization plans in Nigeria, Ghana, the Congo, Cameroon and Angola, among others. Africa needs it oil and gas and this very narrative is what the Chamber will continue to promote.

The move by British based Hyve Group CEO Mark Shashoua is not the first time African organizations or oil and gas projects and governments have been attacked by UK activists and groups.

"Friends of the Earth sued to block funding for the Mozambique LNG project; Extinction Rebellion harassed African executives during an energy conference in London in May 2022; and now their eyes are set on the AEC. We need to FIGHT BACK, and we cannot do it without your help."

AEC notes, to join the fight against Hyve Group, AOW and Green Energy Africa Summit focused on silencing an African organization, we ask that you donate here. (https://bit.ly/3zRJI4R) Your donation will not only help us win this case but continue the work we are proud of us in Africa, and for Africa Oil and Gas. The AEC will continue to dedicate itself and its work towards making energy poverty history in Africa and your donation will go a long way in helping us make this a reality.
Source - Thandisizwe Mgudlwa

NAFCOC POWER

African News, South Africa News

50 Years On, NAFCOC Says SA Needs A Speedy Transformation of the Economy

 

As President of the National African Federated Chamber of Commerce and Industry (NAFCOC) Rev Joe Hlongwane, calls for a ‘speedy transformation of the economy.

On the occasion of the 50th Anniversary Conference, 30 Sept – 02 Oct 2014, International Convention Centre ICC, Durban, KZN Province, Rev Hlongwane said, “It gives me great pleasure to address you today on this august occasion of the 50th Anniversary Celebration Conference. Not many organisations live to see their half centenary and we are indeed grateful to God Almighty whose grace and goodness kept us through the very many turbulent times in the life of our organization.”

“When the founding fathers of our great chamber movement gathered in Orlando, Soweto in 1964, little did they know that the seed they were sowing in the form of the National African Federated Chamber of Commerce and Industry would germinate and grow through the dark days of apartheid to the dawn of our democracy in 1994. Little did they know that twenty years later after our miracle transition from apartheid to democratic rule, NAFCOC would still be alive and kicking and I can declare today without any fear of contradiction that NAFCOC will still be around for another 50 years to come. If we could survive apartheid, we can survive anything. If we could persevere and do business under the harshest of conditions under apartheid, then anything is possible under a democratic dispensation. As our slogan rightly proclaims: Rise in Faith. It was faith that helped us survive apartheid, and it is faith that will take us through the next 50 years.

“I think you will be interested to know that on Sunday before making my way to the conference, I spent a few hours by the hospital bed of Dr Motsoenyane after being admitted for an operation. We all know that he would have loved to be with us today but the doctors advised him otherwise. As always, he shared with me some words of wisdom which I would like to share with you today.

He said to me “men must speak but God must speak as well”. He said if he were at present at this conference, he would have told the African National Congress (ANC) to work with us because we worked with them while they were in exile and prison. He said to me we must stand firm on our values of integrity, excellence, trustworthiness and transparency and work with the ANC to take our country forward.”

The theme of the conference was: “Lessons of the past 50 years…opportunities and challenges for SMMEs in the next 50 years”.

As a fighter for the creation of solid black businesses, NAFCOC was key in establishing businesses such as Africa Bank in 1975, black-owned retail company Black Chain in 1977, and the building concern, African Development & Construction Company.

Reverend Joe Hlongwane, said that the organisation has been around through the toughest times of the Apartheid regime.

“Ladies and gentlemen, I can declare today without fear of contradiction that NAFCOC will still be alive in 50 years,” he said.

According to Hlongwane, faith has kept NAFCOC strong through apartheid and all the hard times they faced.

“If we could survive apartheid we can survive anything. If we can persevere and do business under apartheid then anything is possible.

Small Business Development Minister, Lindiwe Zulu, congratulated NAFCOC on their 50th anniversary and said small businesses should learn more from them.

“We will continue to look up to NAFCOC to help us reignite the spirit of entrepreneurship that refused to surrender to the viciousness of apartheid and its determination to make black people permanent drawers of water and hewers of wood,” said Zulu.

She added that NAFCOC has fought for black business people to obtain their space in the mainstream South African economy, and they continue to do so to date.


FIFA+

Millions of fans in 114 countries enjoying FIFA+ live coverage of FIFA U-20 Women’s World Cup Costa Rica 2022

Aside from the live match coverage, FIFA+ will also be the home of premium editorial content for the tournament, tracking news, interviews and analysis throughout

By THANDISIZWE MGUDLWA

CAPE TOWN, South Africa, August 12, 2022/ –The world is currently enjoying another global football extravaganza, this time around in the form of the FIFA U-20 Women’s World Cup Costa Rica 2022.

And this is all thanks to FIFA+.

The FIFA U-20 Women’s World Cup 2022, which is being hosted in Costa Rica between 10th and 28th August this month, is set to be broadcast live for free on FIFA+ in over 100 territories.

FIFA, the world football governing body, has promied that this live match coverage will bring audiences from across the globe all new access to tomorrow’s stars of the women’s game.

Furthermore, the tournament will be live for fans in trophy hopeful nations Brazil, Germany, Ghana and Nigeria, and in major women’s football hubs like England and Sweden.

And the 16-team tournament, held in Costa Rica, which kicked off with Germany against Colombia on 10th August, before the final is played in San Jose on 28th August, 2022.

Moreover, matches will be live on FIFA+ in 114 countries, including tournament hopefuls Germany, Brazil, Ghana and Nigeria.

The FIFA U-20 Women’s World Cup has long been a hotbed of emerging talent, with previous stars including USA’s Sydney Leroux, Germany’s Alexandra Popp and Dzsenifer Marozsán, and Nigeria’s Asisat Oshoala – who stars in Episode 3 of the FIFA+ Original Series, Icons.

Charlotte Burr, FIFA Director of Strategy, Development, and FIFA+ commented, “After a summer that has seen women’s football capture the hearts and minds of fans around the world, with continental champions crowned in every major region, we’re delighted to be bringing the stars of tomorrow to the world on FIFA+.

For years, the FIFA U-20 Women’s World Cup has been a fascinating window into the next generation of superstars in the women’s game, and 2022 promises to be no different. Costa Rica will provide a stunning backdrop to elite football and drama aplenty – we’re excited to be bringing fans around the world closer to the tournament and the future stars of the women’s game.” Aside from the live match coverage, FIFA+ will also be the home of premium editorial content for the tournament, tracking news, interviews and analysis throughout.

296

Tuesday, 25 October 2022

ENTREPRENEURSHIP OF AFRICA

Kwikstore allows African Entrepreneurs to create their own online stores & sell online from their Smartphone!

KwikStore is a free ecommerce storefront solution that allows any African business owner, merchant, social vendor entrepreneurs and SMEs to create their own online stores


By Thandisizwe Mgudlwa



Kwikstore, an Easy-To-Use E-Commerce solution to help African Merchants sell online from their Smartphone has hit the continent with a big bang.

KwikStore is a free ecommerce storefront solution that allows any African business owner, merchant, social vendor entrepreneurs and SMEs to create their own online stores/

Kwik Delivery is expanding its offer of digital services with the launch of KwikStore –  adding yet another exciting service to the already sensational offer it brings to African business owners and
social vendors.

KwikStore is a free ecommerce storefront solution that allows any African business owner, merchant, social vendor entrepreneurs and SMEs to create their own online stores literally in 5 minutes without any technical knowledge and to run his or her business directly from a
smartphone.

HOW DO YOU LIKE THAT?

Social vendors can link their KwikStores to their social media accounts, automating the sale, fulfilment, inventory management and delivery process, giving them the possibility to focus on sales and marketing, explains the group.

Furthermore, KwikStore is a free-to-use feature of the Kwik Delivery app and requires no down payment nor service charge apart from standard payment gateway fees.

Merchants can fully customize their KwikStore to their brand. Once an order is approved by the merchant, payment is processed automatically through payment partners and a Kwik rider is automatically dispatched to the pickup location; or the order can be picked up directly by the
customer.

KwikStore requires a Kwik account but can be used independently of the Kwik Delivery platform, allowing merchants to use the delivery solution of their choice or to sell anywhere in Africa, in areas not yet covered by the Kwik Delivery platform.

“KwikStore is a milestone in establishing Kwik as the one-stop-shop for African merchants to run and grow their business from their smartphone” declared Romain Poirot-Lellig, Founder & CEO of Kwik.

“We will continue to expand our offer of innovative digital services focused on enabling African merchants to grow their business with all the benefits that technology brings.”

“We are very proud to have developed KwikStore in Nigeria with our growing software development team” declares Olivier Decrock, Cofounder & CTO of Kwik.

“Kwik is strongly committed to build its development capacity in the country.”Kwik was founded in 2018 to provide groundbreaking online services to African merchants in the fields of delivery, fulfilment, and payment.

PAN AFRICAN VISIONS

 

Creator of Tomorrow

Pamela Is One Of South Africa’s Hottest Beauty And Fashion Influencers

(Last Updated On: September 12, 2022)

PHOTO; Pamela Mtanga

By THANDISIZWE MGUDLWA

Pamela Mtanga, is the only South African who is part of ‘Creators of Tomorrow’, a new campaign that celebrates emerging talents from around the world who are inspiring a new movement of creative content online, Meta announced the launch of campaign this week.

The 26-year-old public relations graduate is one of SA’s hottest beauty and fashion influencers.

Pamela was named top personality and influencer at the Top 16 Youth-Owned Brands Awards hosted by Pat on Brands.

Pamela is also a Social Media influencer and personality who is very active on YouTube and Twitter.

Pamela started as a video vixen before she started posting posted posts about makeup and other beauty advice on Twitter.

She gained a huge following which she monetize through endorsements for companies willing to reach her huge audience.

Pamela has got a BA (Media, Communication and Culture) degree from Nelson Mandela University.

Pamela has served as an ambassador for Standard Bank, Vodacom NXT LVL and Nedbank Unlocked Challenge through Student Village, where she discovered her talent for MC’ing.

She was born in Port Elizabeth, now known as Gqebera.

Pamela is the new host of Channel O’s music show Massive Music. This is her second stint on the small screen since Honey TV’s  Will He Say Yes? in 2021.

Speaking to TshisaLIVE Pamela commented: “Friday nights have always been instrumental in the music industry when artists showcase their music. Now I become a part of that really rich history in SA music. When the year started I said I wanted to do music, entertainment and fashion-based show and that’s what happened,”

Pamela recently launched her foundation Beyond Human Nature, discovered her love for broadcasting when doing Madibaz Radio at Nelson Mandela University in 2015.

“I host a lot of corporate gigs, which is quite daunting, especially now having to step out of that corporate gig space and going into a very entertainment lively and musical space. I just have to harness that part of me that’s very outgoing.”

In an interview on SowetanLIVE Pamela explained: “My life’s purpose is to make people happy. Not to please, but to make people happy. Whether it be through fashion, broadcasting, philanthropy or an encounter outside of my work.

She added: “What drives me is believing that my success is inevitable, and that takes an immense amount of faith and hard work.”

LEADERSHIP & MANAGEMENT

TECH MORAN

The reasons why project management is highly important in organizations

 
 

Project management is highly important in organizations. It is also a very necessary tool to develop products or services, projects are becoming a form of strategic work useful to survive in the environment we live today.

Before you start planning a project, you have to know about project management, know what phases make it up and what benefits this management brings. Whether you are getting started in the world of project management or if you have already gained experience, this article is sure to be useful. 

The objective that is pursued when project management is carried out, is that an original product be made and that a specific customer need is met. It is usually much more complicated than with the way of marketing the standard, in which a customer buys a product to meet a need.

Project management can be used to generate new services and products, be they development, reorganization or any other type of projects, their management by performing different methodologies aligned with the organizational strategy translates into many advantages for the organization. In addition, it is necessary to serve to manage the change in the company. The software for project management provides different benefits in terms of cost or efficient management of resources, quality or, for example, project compliance, also helps to improve the business itself. Within the context, the use of specific software is the best option for implementing projects efficiently. In many cases, a time management software is needed.

In a basic way, in the same way that a Project manager helps in the design and control of all projects, programs and applications are also a key business management tool for an effective application in the organization.


An adapted software design

Designing a software for project management will be more or less suitable depending on the different characteristics of the project. The development philosophy can obey different basic models, such as:

    Waterfall model
    Prototype model
    Formal development by stages

They can also be iterative, such as incremental or spiral development. The choice of one or the other is carried out according to the project, in addition the different circumstances and the type of companies in which it should be developed, that is, available time, budgets, customer requirements or objectives that are wanted, must be considered get. A hybrid methodology is also usually chosen if it really adapts to the specific case. Although a priority there is no better option than another, at the time of establishing the software development life cycle each project opts for an approach according to the needs. Compared to traditional solutions, they are associated to the waterfall model, being an agile methodology that is oriented to establish and offer value early. This is a new project management approach that allows changes to be added at any time, in addition to continuous improvement, with the possibility of sticking to time scales and a fixed budget.

Advantages of project managers

The daily work of the project managers makes it necessary that it be carried out optimally, especially when working as a team and that it is necessary that each of the different projects that an organization carries out is controlled. Not surprisingly, meeting all established objectives and efficient project management are essential things to complete them successfully. The application of the appropriate methodology, planning and control will be much simpler through software solutions for project management.

Today, it can be affirmed that project management software is a key element during integral control, effectively and comfortably. The entity covers from the area of ​​planning, development, production and relationship with customers until the coordination of the different projects of the organization is carried out.

Monday, 24 October 2022

KZN Top Business Finalist 2015 Social & Community Services

PC Training and Business College looks at educational trends in a Digital environment

Richfield Graduate Institute of Technology Logo

2013-03-17

Posted on 07 March 2013 by Thandisizwe Mgudlwa
 

In the digital age every aspect of the Further Education and Training (FET) and Higher Education is impacted on by technology in some way according to new research by PC Training and Business College. While Europe and the United States are usually the trendsetters in this regard, developing countries in Africa and Asia often reap the greatest rewards as constant technological advances have allowed education to become available to greater portions of the population. And keeping abreast of the latest trends requires constant vigilance and innovation in order to provide the most efficient, user friendly and reliable tools, applications and equipment. Tertiary Institutions that provide their students with a solid IT backbone will be best placed to deliver a quality education, efficiently, effectively with the least impact on the environment.

The opinions of several leading international and local educators has been gathered to provide an indication of what the future holds regarding Educational IT and its impact on the Tertiary Education environment:

1.Big Data beyond basic analytics.


William Morse, chief technology officer at University of Puget Sound in Tacoma, WA, said that 2013 is the year that institutions will begin to see big data, those large data sets that cannot be processed using traditional database management tools or applications, as more than just an analytics tool.
 

Big data is about collecting far more information on our students than we once did, said Morse. 

We can now go beyond academic performance and build complete student profiles using the big data that we have at our avail. These student profiles will allow institutions to develop internal models to determine, for example, which student characteristics will be most applicable to  translate into educational success as well as how to maximise the appropriateness of course content.

2.Faster reaction times courtesy of technology.


Also on the topic of Big Data, Sharon Biederman, interim associate provost at the University of Maryland University College in Adelphiâ says that universities are leveraging their constant flows of data to make significant real time changes in student learning. Collecting feedback on a course and then revising it could take years. Now we can quickly see what students are and are not using and what they think about something, said Biederman, â€Å“and then adjust accordingly.

3.Bring Your Own Device or BYOD.


College networks will require careful management in order to be able to cope with the ever increasing demands of a variety of devices that are linked up to them. Jay Ramnundlall CEO of South Africa’s PC Training and Business College who introduced Tablet PCs to students registering for full time courses in late 2011 says: 70 of our campuses throughout South Africa have robust wireless networks that allow our students access to our Virtual Learning Environment. As our institution has provided the Tablet PCs as part of the program, we have managed to reduce the stress on the network as we are able to ensure compatibility.

4.Device-agnostic computing.


William Morse has said that some college IT departments over the last few years have learned how to integrate almost any device seamlessly into their networks in a secure and manageable manner. Smartphones, Tablets, Macs and PCs will be able to access the colleges Learning Management Systems which can maintain virtual desktop environments allowing students to access any of the colleges lab software wherever they happen to be, regardless of which device they want to use.

5.College Apps


This is undoubtedly, where student orientated software development lies so that students connection to study material, administrative communication and research documentation is seamless and uniform.


California State University, Long Beach has recently introduced a public mobile app to deliver important campus information (such as news, athletics, maps, directories, and bus schedules) to Android, iOS, and Blackberry-toting students, faculty, administrators, and alumni.


These advances allow colleges and universities to reduce paper based communications thereby reducing costs and improving their profile simultaneously.

PC Training & Business College is proud to announce its first car winner, Refelwe Rose Mlaudzi (18) in a series of 5 VW Polo Vivo GT give-aways which kicked off in October last year.
PC Training & Business College is proud to announce its first car winner, Refelwe Rose Mlaudzi (18) in a series of 5 VW Polo Vivo GT give-aways which kicked off in October last year.



6.Social media


Campus Technology reports that Social Medias importance has grown in educational value and that we can expect to see teaching staff figuring out how to successfully integrate Facebook, Twitter, Google+, and other social media tools in the college classroom in 2013. Were beginning to see the educational value associated with these platforms,” said Lori McClaren, director of online programs at William Peace University in Raleigh, NC, â€Å“and for the real-time collaboration that they enable. 


McClaren says that Social media is also gaining ground as a digital media literacy tool in Tertiary Education and creates an important link for students as they prepare for their careers. Employers expect students to be able to use social media effectively, she said. What better training ground for that than Tertiary Education?

7.Openness


In recent years, online educational resources have grown exponentially, starting 10 years ago when MIT began their Open Courseware Initiative.
With information being abundantly available, the challenge is to make effective use of it for knowledge and learning creation. Models that are focussed on embedding open resources while still protecting their academic value and acknowledging authorship are being explored.

8.Mobility


Mobility has become a fact of life, resulting in students being able to carry their college in their bag.
 

Mobile computing devices have become far more affordable and some institutions like our own, PCT&BC, are making Tablets freely available to students in order to make education more accessible, says the Director of the Distance Learning at South Africa's PC Training&Business College, Professor Ahmed Sadeq Adam.


It has recently been reported that the number of students in the US with a tablet has more than tripled in the last 12 months. 

Something as simple as being able to read course material on the move, either on a smartphone or tablet has proved to be massively beneficial to students and as technology and software develops so will the Virtual Learning Environments. This will lead to hundreds of thousands of students having access to education at low cost within an environment that equates to one on one learning resulting in much improved achievement scores, comments Professor Adam.

9.Affordability


Daphne Koller, the co-founder of Coursera, has expounded the virtues of ˜On Line Learning citing several advantages to this approach to education. Coursera has in excess of 600 000 students in 190 countries who have watched over 14 million videos.
 

When moving away from the restraints of a physical classroom and designing content for an online course you have the advantage of being able to break the content down into 8 to 12 minute modules as opposed to the 1 hour one size fits all standard lecture. This means that Students can use the material to their greatest benefit allowing them to follow a much more personalised curriculum” states Daphne (TED Ideas Worth Spreading).

10.Massive on line open courses (MOOCs) Education experts attending The World Economic Forum at Davos in Switzerland agreed that MOOCs are here to stay. The Presidents of Harvard, Stanford and MIT declared that MOOC experimentation would lead to radical change in the Tertiary Education space. The reasons for the massive growth in on line education are multiple and include teaching techniques, affordability, mobility and the Individual tutoring effect of the Wireless Learning Environment.


The trends listed above will have a very positive effect on the availability of education to countries around the world that have traditionally been disadvantaged in providing tertiary education to large portions of their populations owing to insufficient funding, a lack of resources and infrastructure. Lifelong learning can become a reality and with a more educated populace, a wave of innovation can be expected which in itself should have a dramatic influence on socio economic conditions.

So 2013 is set up to be the year that higher education undergoes a major metamorphosis!

Source: http://africabusiness.com/2013/03/07/pc-training-and-business-college-looks-at-educational-trends-in-a-digital-environment/

 
PC Training and Business College

 

 

 

 

 

AFRICAN LEADERSHIP

Pan-African Parliament produces new leadership

Charumbira was overwhelmingly elected at the just concluded Pan-African Parliament (PAP) Ordinary Session of the Fifth Parliament held in Midrand, South Africa.

Charumbira who was nominated to contest for Presidency of the PAP Bureau by his Southern Africa Caucus received 161 votes out of 203 votes cast with 31 members abstaining from voting while 11 spoilt papers were recorded.

He takes over from Roger Nkodo Dang from Cameroon.

In his acceptance speech, Charumbira committed to ensure the full participation of African citizens in the economic development and integration of the continent.

Since its establishment in 2004, the Parliament has continuously supported the effective implementation of the policies and objectives of the African Union in member states through its linkage with national legislatures.

“I am a President for everyone regardless of how you voted, it is high time we put our African people forward and do away with unnecessary conflicts. Together we can achieve more, we will only develop our continent when united and this is an essential thing for our people to see and experience in our lifetime. I want us to come together; we need to immediately fight and destroy the divisions caused by these foreign languages in Africa imposed on us by outside continents and resulted in us identifying one another as Anglophones, Francophones and Lusophones,” Charumbira stated.

Also elected to serve in the PAP Bureau, is the 1st Vice President, Prof. Massouda Mohamed Laghdaf from Mauritania; Dr Ashebiri Gayo from Ethiopia was elected as the 2nd Vice President; Lúcia Maria Mendes Gonçalves dos Passos from Cape Verde was voted as the 3rd Vice President; and Francois Ango Ndoutoume from Gabon elected as the 4th Vice President.

The 2022 elections come following a stalemate in the legislative arm of the African Union on modalities of handling the election that were initially scheduled for 2021.

Moreover, to resolve the stalemate, African Union Executive Council in October 2021, reiterated the adoption of the principle of rotation when electing the leadership of the institution.

The decision also charged the Office of the Legal Counsel of the Union to prepare modalities and conduct the elections of the new Bureau of the Pan-African Parliament.

The 2022 elections were presided over by the Chairperson of the African Union Commission Chairperson, the Chief Executive Officer and Legal Representative of the African Union, Moussa Faki Mahamat.

Mahamat was representing Macky Sall, President of the Republic of Senegal and incumbent Chairperson of the African Union, who was meant to supervise the Session on an exceptional measure guided by Article 14 (1) of the PAP Protocol, which stipulates that the Plenary Session of the Parliament shall be presided by the Chairperson of the Union in the absence of the Bureau of PAP, until the election of the President of the Parliament who shall thereafter preside over entire processes of the institution.

The work of the Pan-African Parliament is key in accelerating the adoption and implementation of policies and decisions and Declarations of the African Union for the realization of the Aspirations of Agenda2063 and flagship projects.

Furthermore, it also plays a pivotal role in strengthening the oversight capacity of National Parliaments to hold the executive branches of government accountable with respect to the implementation of the continental agenda.

 The Kampala Report

NATION BUILDING

Ramaphosa would do well to integrate all intellectuals in the rebuilding of the country

File picture: Motshwari Mofokeng/African News Agency (ANA)

File picture: Motshwari Mofokeng/African News Agency (ANA)

Published Jul 26, 2021

President Cyril Ramaphosa would do well to integrate all intellectuals – black and white – in the rebuilding of the country.

The problem of not using experts from a diverse political, social and economic spectrum is a challenge across mostly the developing world and at times this can also be found in highly advanced democracies.

Story continues below Advertisement

Reasons would vary from one country to the next. But in pre-colonial nations it usually has to do with advancing the party of liberation above everyone else.

Post-colonial Africa is also guilty for the marginalisation of its intellectuals, especially those who are not members or supporters of the governing former liberation movement.

For whatever reason or even reasons, the suppression and marginalisation of black intellectuals in post-colonial Africa, by black governments has hardly been identified as one of the factors why the continent remains the poorest in the world, even though it is the richest when it comes to mineral wealth under the soil.

Various factors could be highlighted as to why post-colonial African governments, in this case, would suppress its strategic nucleus.

One of the reasons for the marginalisation of mostly black intellectuals is that former liberation movements would feel that those black Intellectuals who are not products of the movement, will likely side with former colonialists in criticising a “black government”.

There's also the issue of loyalty, black Intellectuals who are not associated with a black governing party would simply not be required to toe a party line.

Story continues below Advertisement

Governing former liberation movements, like many other nations across the world, have serious weak points in many areas including leadership, management, discipline and even professionalism, and turn to be involved in power struggles at the expense of the masses’ empowerment.

Independent black intellectuals are not shy of pointing out these weaknesses.

The few who have access to comment through mostly the media week-in and week-out are able to point to the failures of its government. This to the embarrassment of the “parties of freedom”, who when, they were fighting for liberation, had promised to do far better than the colonial regimes, when it was their turn to govern.

Story continues below Advertisement

Notably, most of the whites who opposed apartheid were intellectuals.

Therefore, colonial and post colonial South Africa marginalised intellectuals, be it white or black intellectuals.

But it is black intellectuals' contribution that is needed in the black communities more now to help fix the problems that the government has not resolved.

The black intellectuals in “Black Universities”, have not made their presence felt, especially in black communities, in so far as guide the direction they take in the reconstruction and development of the country.

In 2006, former president Thabo Mbeki created the Native Club, which was supposed to organise and integrate black intellectuals into the national developmental agenda.

This was met with resistance mostly from independent black intellectuals.

Some black intellectuals questioned Mbeki's timing, as to why only after all this time since he took over from Madiba in mid-1999, he called on all black intellectuals to team up with the government in developing the country.

Other black intellectuals accused Mbeki of trying to use them to hide the ANC government's failures.

One student even asked if Mbeki was serious "where was the office of the Native Club?"

Needless to say, in September 2008, Mbeki was recalled by his party and even by then, there had been little heard and seen from the Native Club.

And under the Zuma years, black intellectuals would find themselves more isolated and irrelevant.

The National Planning Commission was established in 2010 and responsible for strategic planning for the country. It consisted of a tiny minority black experts, who mostly appeared as politically connected and wouldn't engage the rest of South Africa's intellectual arena.

Fast forward to today. While the country is faced with a pandemic, we also have to deal with forces advancing an insurrection and economic sabotage, according to authorities.

How did we get here? Can the experts come to the rescue, even by organising the communities they grew up in, in fixing problems confronting those communities?

The role of black and white intellectuals during the current struggles in stabilising and rebuilding the country, could become the story of innovation and proactiveness when the country most needs new leadership.

* Mgudlwa is an award-winning journalist.

** The views expressed here are not necessarily those of IOL and Independent Media.

Thursday, 20 October 2022

MBEKISM

 

SMART IDEA: Should Mbeki play a leading role on recharging African Renaissance philosophy?

 
366

Mbeki led initiatives like the New Partnership for Africa’s Development (Nepad) which is responsible for socio-economic development framework for Africa and the African Peer Review Mechanism (APRM), then you had Africa’s renewal in motion

CAPE TOWN, South Africa: It’s been more than 10 years since former South African President Thabo Mbeki was recalled as President of South Africa.

This move would lead to weakening Mbeki position not only on national affairs but continentally as well.

Since Mbeki became the president of Africa’s most advanced economy in 1999, he immediately took charge of the renewal of the continent in a more appealing way than any other leader had done, at least in the modern era.

It was not long from the time Mbeki ascended to the South African presidency, that the Organization of African Unity (OAU), would convert to become the African Union (AU) in 2002, the whole process was spearheaded by Mbeki.

Mbeki would become the first Chairman of the African Union.

Many remark that during Mbeki’s reign at the AU, coups ceased to exist on the African continent, and Africa enjoyed more democratic, free and fair elections.

Add to the list Mbeki led initiatives like the New Partnership for Africa’s Development (Nepad) which is responsible for socio-economic development framework for Africa; and the African Peer Review Mechanism (APRM), then you had Africa’s renewal in motion.

Even more powerfully, the African Renaissance was firmly in place to produce as Mbeki is fond of exclaiming, ‘Africa’s Rebirth’.

His capacity in planning, organizing, strategy and tactics led to a commodity boom on a scale unprecedented in SA.

Under his reign, South Africa’s economy grew by 5%. At some stage the country’s economic growth had reached the 6% mark.

With the fall of Mbeki from political power could be described as the end of the African Renaissance philosophy.

Although there are still institutions and projects that are meant to carry forward the programme of ‘Africa’s Rebirth’.

The spark of the African Renaissance mission disappeared with the recalling of Mbeki as South Africa’s second democratically elected president.

Much was lacking in the articulation of the philosophy from Mbeki’s office as the president of South Africa, I would argue.

Although Mbeki succeeded in promoting the concept of an African Renaissance, there’s a lack of understanding as to the nitty gritties of the philosophy, so that the various sectors that form Africa are
daily implementing the programmes and projects of renewing Africa.

In its essence, the African Renaissance is the concept that the African people shall overcome the current challenges confronting the continent and achieve cultural, scientific, and economic renewal.

First articulated by Senegalese historian Cheikh Anta Diop in a series of essays he wrote between 1946 and 1960.

And later collected to produce a book titled Towards the African Renaissance: Essays in Culture and Development, 1946–1960.

Diop had written these series of essays on charting the development of Africa as a student in Paris.

Diop’s ideas were further popularized by Mbeki during his tenure when he was SA’s Deputy President.

Today, the African Renaissance has been pinned in a broader fashion as a philosophical and political movement to end the violence, elitism, corruption, and poverty believed to plague the continent, and to
replace them with a more just and equitable order.

Mbeki proposes achieving these goals by primarily encouraging education, and reversing the “brain drain” of African intellectuals to foreign lands, hence the African Renaissance is meant to play a key
role in South Africa’s post-apartheid intellectual agenda.

Mbeki further encouraged Africans to take pride in their heritage, and to take charge of their lives, rather than depending on outside factors to be able to re-create our destiny.

However, according to Noel Moukala, the African Renaissance cannot exist without first achieving African Unity.

Professor W.A.J. Okumu compiled a list of perceived African traits that he believes are worthy of preservation and continuation.

These include aspects of interpersonal relations, such as “social inclusion, hospitality, and generous sharing,” as well as attentive and perceptive listening. He additionally argues that social
acceptance is not based on wealth, but on the basis of relationships to others.

Okumu’s perspective perfectly joins the African Renaissance with the philosophy of Ubuntu/Botho which is about ‘Humanity Towards Others’.

When giving his famous “I Am an African” speech in Cape Town, celebrating the adoption of a new Constitution of South Africa in Parliament on May 8, 1996, Mbeki said: “I am born of a people who are
heroes and heroines.

Patient because history is on their side, these masses do not despair because today the weather is bad. Nor do they turn triumphalist when, tomorrow, the sun shines.

Whatever the circumstances they have lived through and because of that experience, they are determined to define for themselves who they are and who they should be.”

This was followed by the April 1997 Mbeki articulation on the elements that comprise the African Renaissance which include social cohesion, democracy, economic rebuilding and growth, and the establishment of Africa as a significant player in geopolitical affairs.

Vusi Mavimbela, an advisor to Mbeki, two months later, wrote that the African Renaissance was the “third moment” in post-colonial Africa, following decolonisation and the spread of democracy across the
continent in the early 1990s.

Later on Mbeki would codify Mavimbela’s beliefs, and the reforms that would comprise them, in the “African Renaissance Statement” given August 13, 1998.

All this would culminate in the African Renaissance Conference in Johannesburg in 1998, where 470 participants attended.

And in 1999 the book titled African Renaissance was released, with 30 essays arranged under topics corresponding to the conference’s breakout sessions: “culture and education, economic transformation,
science and technology, transport and energy, moral renewal and African values, and media and telecommunications.

It needs to be mentioned that in the field of technology, this area needs close monitoring as in many instances it has led to replacing people’s jobs with machines.

A strong stance needs to be made in ensuring that only technology that creates more jobs and improves people’s lives will form part of our fabric.

And in Pretoria on October 11, 1999 Mbeki then led the formation of the African Renaissance Institute (ARI, with its initial focuses on the development of African human resources, science and technology,
agriculture, nutrition and health, culture, business, peace, and good governance.

In his book The African Renaissance, Okumu wrote that, “The most important and primary role of the African Renaissance Institute now and in the coming years is to gather a critical mass of first-class African scientists and to give them large enough grants on a continuing basis, as well as sufficient infrastructure, to enable them to undertake meaningful problem-solving R&D applied to industrial production that will lead to really important results of economic dimensions.”

Various analysts still credit much of this growth to the increase of employment in the middle sectors, which up until Mbeki’s tenure was difficult to come by.

Commenting generally on Mbeki’s leadership and vision, Khisimusi Sipho wrote: “Going through former president Thabo Mbeki’s 2007 political report at Polokwane, he said nothing but the vicious truth. Our anger, impatience & frustration engulfed many of us that we couldn’t listen to him properly at that time.”

The distinguished African scholar Professor Patrick Loch Otieno Lumumba remarked, “Thabo Mbeki should have been afforded more time to lead, because he had a clear direction as to where South Africa and Africa should go, South Africa lost a man in him.”

Mbeki’s vision and his pioneering of an African Renaissance, led to the successful bid to host the 2010 FIFA World Cup.

In acknowledging Mbeki’s contribution, Business Day newspaper said in its editorial opinion, “The fact is that it was the former president’s vision of an African renaissance, with South Africa leading the charge
to prove to the rest of the world that the continent was not destined to disappoint in perpetuity, that resulted in us persisting in our bid to host the tournament.”

Another newspaper, The Citizen commented: “Now we know he was correct in that assessment of South Africa’s ability to stage the greatest show on earth.”

Africa must look at the possibility of allowing Mbeki to contribute to the renewal of the continent’s fortunes.

Furthermore, the African Renaissance is now part of the International Decade for People of African Descent from 2015 to 2024, in which the Door of Return Initiative seeks to bring members of the African diaspora back to the continent.

This initiative is spearheaded by the historical Maroon community of Accompong, Jamaica, in cooperation with Zimbabwe, Nigeria and Ghana.

The associated Renaissance revival is led by Accompong Finance Minister Timothy E. McPherson Jr., and Nigeria’s Senior Special Assistant to the President on Diaspora and Foreign Affairs, Abike Dabiri.

That should make us wonder why Mbeki’s predecessors in South Africa have turned to ignore the African Renaissance philosophy. Including Mbeki’s successors too.

Continentally, figures associated with the African Renaissance are President Yoweri Museveni of Uganda, President Paul Kagame of Rwanda and President Emmerson Mnangagwa of Zimbabwe.

What about the others? And what about the men and women on the African streets?

The promotion of African literature and promoting the stories of the forgotten heroes & heroines of the Liberation Struggle publicly and in our schools, colleges and universities to decolonize the mind would be
a good start.

And building Public Participation in communities, governmental, AU structures, programmes and projects will strengthen Africa’s case that we are serious about making the 21th century, an African Century.

The author, Thandisizwe Mgudlwa is a multi-award winning journalist based in Cape Town, South Africa. He is the author of the best-selling children’s book – ‘Kiddies World’.

Wednesday, 19 October 2022

AFRICAN LEGEND

 How Mama Africa touched us

Opinions & Features December 11, 2021 at 03:00 pm

Thandisizwe Mgudlwa

Miriam Makeba rocked international audiences until they could no longer ignore the tyranny of apartheid. She dazzled crowds indoors and outdoors with her African style of doing things. One moment, she would entertain the rich and famous in various Capitals across the globe, educating and presenting them with African lifestyle, politics and cultural heritage she displayed through her unique African collection of clothing and dresses.

She would heal them through mixing her melody between English and her native Xhosa language telling the story of oppression and the Struggle for freedom while tapping and moving her body, supporting her rhythmic sounds in true African style.

In another moment, she would be doing the very same with the downtrodden world. Later in her career, Mama Africa used lyrics in Swahili, Xhosa, and Sotho. This led to Mama Africa being seen as a representation of an “authentic” Africa by American audiences.

Mama Africa, as she was affectionately called, became a true ambassador for what was good, great and best about Africa. She taught the world the virtues of Ubuntu and that ‘African Ideas’, as fellow singer legendary South African group, Juluka, would sing, ‘make the future’.

Mama Africa became a symbol of oneness, unity and set the tone for what would be considered humane and noble through her work as a singer, songwriter, actress, United Nations goodwill ambassador, and civil rights activist without losing the African touch.

There are many great artists that have come and gone who made their mark, but Mama Africa stands out as you could say she was destined for her fate, to play the role she played and commit her life into resembling the uniqueness of Africa that the world still longs for.

Through her creativity, she not only promoted the brand ‘Miriam Makeba’ but elevated the musical genres including Afropop, jazz, Marabi, township flavor and world music to new heights.

As an advocate against apartheid oppression and white-minority government in South Africa, Mama Africa told the world mostly through music how injustices and oppression are equally if not more toxic and harmful even to the perpetrators who carried out those inhuman acts.

“Would you not resist if you were allowed no rights in your own country because the color of your skin is different to that of the rulers and if you were punished for even asking for equality?” — Miriam Makeba

Born Zenzile Miriam Makeba in Johannesburg on March 4, 1932, Mama Africa was forced to find employment as a child after the death of her father. Her father died when the young Makeba was only six years of age.

At the age of 17, Makeba had already encountered the ups and downs of life as she had a brief and allegedly abusive first marriage, but as the world would later experience, she proved her survivalist instincts and responded with an internationally acclaimed career.

The upside of the marriage was the birth of her only child in 1950. At this time again her spiritual resilience ensured that she would survive breast cancer.

Mama Africa is truly blessed in that as a child, her vocal talent had been recognized already. And in the 1950s, she began singing professionally with the Cuban Brothers, the Manhattan Brothers, and an all-woman group, The Skylarks, performing a mixture of jazz, traditional African melodies. Add to that, Western popular music.

One of Mama Africa’s career highs came in 1959 when she had a brief role in the anti-apartheid film, Come Back, Africa. This role would bring her instant international recognition, leading to Mama Africa performing at glittering events in Venice, London, and New York City.

And in 1960, Mama recorded her first solo album. While in London, Mama Africa met the legendary American singer, Harry Belafonte. Belafonte became a mentor and colleague to Mama Africa.

In 1962, Mama Africa and Belafonte sang at the birthday party for US President John F. Kennedy at Madison Square Garden. But Mama Africa did not go to the party afterwards because she was ill. Nevertheless, Kennedy insisted on meeting her, so Belafonte sent a car to pick her up.

Mama Africa then moved to New York City. This move would prove to be of great benefit to her as she immediately became a popular star.

Another painful moment in the precious life of Mama Africa, this time coming from the cruelty of the apartheid regime, was when her attempt to return to South Africa that year, 1960, for her mother’s funeral was prevented by the government.

“I always wanted to leave home. I never knew they were going to stop me from coming back. Maybe, if I knew, I never would have left. It is kind of painful to be away from everything that you’ve ever known. Nobody will know the pain of exile until you are in exile. No matter where you go, there are times when people show you kindness and love, and there are times when they make you know that you are with them but not of them. That’s when it hurts.” — Miriam Makeba.

Nevertheless, her career would exponentially flourish in the United States, and Mama Africa released several albums and songs, her most popular being “Pata Pata” in 1967. Along with Belafonte, Mama Africa received a Grammy Award for her 1965 album An Evening with Belafonte/Makeba.

Mama Africa testified against the apartheid government at the United Nations and became part and parcel of the American civil rights movement. In 1968, Mama Africa married Stokely Carmichael, a leader of the Black Panther Party, an American radical black nationalist movement. And as a result of being married to Carmichael, Mama Africa lost support among white Americans.

The US government took it further and canceled her visa while Mama Africa was traveling abroad. This move would lead Mama Africa and Carmichael to move to Africa and settle in Guinea.

“I’d already lived in exile for 10 years, and the world is free, even if some of the countries in it aren’t, so I packed my bags and left.”— Miriam Makeba

The talent and spirit in Mama Africa led her to continue to perform, mostly in African countries. Mama Africa was truly blessed as she would also perform at several independence celebrations. Mama Africa began to write and perform music more critical of apartheid. 

In the 1977 song “Soweto Blues”, which was written by her former husband Hugh Masekela, she kept the story of the Soweto Uprisings alive globally. The massacre of students would become the turning point against apartheid and uprisings that broke out on June 16, 1976, leading to hundreds of students being killed by apartheid police.

The students were against the oppressors’ language of Afrikaans and the quality of education black people had been accustomed to.

In 1990, apartheid was dismantled, this was Mama Africa returning to South Africa.

“I look at an ant and see myself: a native South African, endowed by nature with a strength much greater than my size so I might cope with the weight of a racism that crushes my spirit. I look at a bird and I see myself: a native South African, soaring above the injustices of apartheid on wings of pride, the pride of a beautiful people.” —Miriam Makeba

Back in South Africa, Mama Africa continued recording and performing. This would include a 1991 album with Nina Simone and Dizzy Gillespie. She went further and appeared in the 1992 film Sarafina, which exposed the Struggle against apartheid in the form of film.

Mama Africa was named a UN goodwill ambassador in 1999. By all accounts, this would motivate her even more to campaign for humanitarian causes.

Mama Africa was among the first African musicians to receive worldwide recognition, in an era of other great globally recognized musical icons and artists like Jonas Gwangwa, Letta Mbuli, Hugh Masekela, Caiphus Semenya, Bloke Modisane among others.

Mama Africa will forever be remembered for bringing African music to a Western audience and anybody that was moved by her talent elsewhere in the world. She also, from an African angle, popularized the world music and Afropop genres.

Mama Africa also made popular several songs critical of apartheid. In this process, she became a symbol of opposition to the apartheid system, particularly after her right to return was revoked. This beautiful soul from the inside and outside was named by Time magazine as the “most exciting new singing talent to appear in many years” while Newsweek compared her voice to “the smoky tones and delicate phrasing” of Ella Fitzgerald and the “intimate warmth” of Frank Sinatra.

Upon Mama’s death, former president Nelson Mandela remarked, “her music inspired a powerful sense of hope in all of us.”

How many people do we know of that have held nine passports, and were granted honorary citizenship in 10 countries? Mama Africa achieved so much that her honors, awards and accomplishments need a supplement dedicated to her. Among the numerous philanthropic works Mama Africa established, the Makeba Centre for Girls, a home for orphans, was described in an obituary as her most personal project.

Mama Africa departed this world, in clinical artistic fashion, doing what she loved best, performing and expressing her calling for God’s children. 

The heart attack, assigned to her passing, could also be viewed as her release of her loving spirit to the world. This happened while on stage performing during a 2008 concert in Italy at age 76.

But the truth is, people like Mama Africa will never die, they multiply.